University of the Arts London staff research profiles homepage

Prof

Pratāp Rughani

Professor of Documentary Practices

London College of Communication

Orcid identifier0000-0003-3130-531X
  • Professor of Documentary Practices
    London College of Communication
  • +44 (20) (Work)
  • Screen School, London College of Communication, Elephant & Castle, London, SE1 6SB, United Kingdom

TEACHING INTERESTS

Pratap is an experienced PhD supervisor and teaches into a number of BA and MA courses, built on extensive experience as Course Director of MAs, including writing and leading MA Documentary Film. He is an award-winning teacher and documentary film maker with over 35 credits on films for Channel 4, BBC TV, the British Council and fine art spaces including Modern Art Oxford and the Stamps Gallery of Art. As an innovator, committed to developing inclusive curricula, he works across Teaching, Knowledge Exchange and Research to promote cross-cultural interchange through teaching, research and documentary film practice. As an educator, Pratap works with students as both collaborator and mentor and in doing so helps students to connect study, research and professional practice.

TEACHING ACTIVITIES

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  • RESEARCH-BASED DEGREE SUPERVISION
    British Settler Colonialism in Argentina – The Politics of Forgetting
    6 Feb 2025
    Woolcock, Penny
  • RESEARCH-BASED DEGREE SUPERVISION
    Coding Faith: Practising Generative Art to Represent the Act of Worship Through the Islamic Cultural Practice of Tawaf
    9 Dec 2021
    Almazroua, Huda
  • RESEARCH-BASED DEGREE SUPERVISION
    How does the ‘oppositional gaze’ in Black women’s looking relations shape Black women’s radical performance practice?
    9 Dec 2021
    Garrett, Keli
  • RESEARCH-BASED DEGREE SUPERVISION
    Control, Detention and Torture in the So-called Global War on Terror
    1 Oct 2021 - 30 Apr 2025
    Clark, Edmund
  • RESEARCH-BASED DEGREE SUPERVISION
    ‘Schizo-Culture in its Own Voice’
    5 Oct 2020
    Morris, David Robert
  • RESEARCH-BASED DEGREE SUPERVISION
    Towards Trans-Representational Cinema through Critically Revisiting Nanook of the North and its Legacy
    5 Oct 2020
    Rufini, Francesco,
  • GRADUATE EXAMINATION
    McGorrian, Tom
    5 Nov 2018
  • GRADUATE EXAMINATION
    Asquith, Daisy
    21 Sep 2018
    Sussex University; University of Sussex
  • RESEARCH-BASED DEGREE SUPERVISION
    Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
    17 Sep 2018 - 18 Oct 2021
    Atille, Martina Judah
  • GRADUATE EXAMINATION
    Konczak, Julian
    11 Sep 2018
    Nottingham Trent University, Nottingham Trent University
  • GRADUATE EXAMINATION
    Hopkins, Sam
    11 Jun 2018
    University of the Arts London, University of the Arts London
  • GRADUATE EXAMINATION
    Brylla, Catalin
    14 Dec 2016
    Goldsmiths University of London, Goldsmiths University of London
  • RESEARCH-BASED DEGREE SUPERVISION
    Unbossed and Unbound: How can critical proximity transfigure British colonial moving images?
    1 Oct 2016 - 14 Jun 2021
    Igwe, Onyeka
  • RESEARCH-BASED DEGREE SUPERVISION
    Africandescence Blue
    Attille, Judah
  • RESEARCH-BASED DEGREE SUPERVISION
    Gaddafi in Rome: Dissecting a Neo-colonial Spectacle. Crafting a genealogical strategy for an accountability-based framework.
    Ferrini, Alessandra
  • RESEARCH-BASED DEGREE SUPERVISION
    Making Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
    Mingard, Edwin
  • RESEARCH-BASED DEGREE SUPERVISION
    Mediated Identity: Digital Infrastructures, Governance, and Selfhood in Practice-Based Research
    Farid, Mark
  • RESEARCH-BASED DEGREE SUPERVISION
    Sounds Queer, I’m In: Queer Sound Practice as Iterative Method and Model of Resonance
    Wyeld, Mike