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    • Senior Lecturer in Critical Practice BA Product and Furniture Design
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Senior Lecturer in Critical Practice BA Product and Furniture DesignCamberwell, Chelsea and Wimbledon Colleges of Arts

    Adrienne Bennie is a multidisciplinary researcher, educator, and artist-designer based in London, whose work focuses on socially responsible design and its role in addressing societal inequalities. Her practice-based PhD in Design, titled "Interrogative Design as a Means for Confronting Hostile Architecture," explores the influence of spatial design on social outcomes, particularly within the context of homelessness in London. Utilising methodologies such as social, speculative, and interrogative design, her research challenges traditional perceptions of public and domestic spaces, with a focus on the power dynamics embedded in hostile architecture.

     

    In her current role as Senior Lecturer in Critical Practice on BA (Hons) Product & Furniture Design at the University of the Arts London, she leads the critical practice program for all year groups. Her teaching philosophy is informed by her research, and she is dedicated to creating inclusive learning environments that empower students from diverse backgrounds. She has also held many academic positions including roles as an Associate Lecturer in MA Architecture & MA Interior Design at the University for the Creative Arts and as a Lecturer at Regent’s University London, contributing to both undergraduate and postgraduate education.

     

    Adrienne’s research and teaching are further supported by her success in securing funding, including the Knowledge Exchange Local Business Grant and the Teaching and Learning EDI Fund. Her future research aims to deepen the exploration of the intersections between design, social justice, and co-design and participatory methods, focusing on evidence-based interventions that create tangible social impact. Adrienne is also an active contributor to academic and public discourse, having presented her work in various international exhibitions, conferences and webinars.

     

    Adrienne welcomes PhD supervision in areas which include:

     

    • Design for social impact, inclusive futures, and community-led participatory methods addressing social and urban challenges.
    • Spatial design, the politics of place, and decolonising dominant spatial narratives.
    • Critical, speculative, and interdisciplinary design research across art, architecture, and society.
    • Design grounded in lived experience and collaborative approaches.
    • Staff
  • Head
    • Programme Director 3D Design and Craft Interior Design Product and Furniture
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Programme Director 3D Design and Craft Interior Design Product and FurnitureCamberwell, Chelsea and Wimbledon Colleges of Arts
    Adrian Friend is an award winning architect, researcher and educator. As lead scientist on TRADERS (Training Art and Design Researchers in Participation for Public Space), a three year EU Marie Curie ITN, Friend’s research on collaborative inter-disciplinary practices helped define Maker Architects’ exploring the art of assembly and tactics that extend authorship through the workshop as a site of production in ‘hot-rodding’ by component designed, citizen build kits. Awarded an Innovate UK grant, ‘Flying Factory Autonomous Housing Construction’ (2015), for feasibility into multi-author prototypical systemised construction, Friend’s research was in partnership with the Manufacturing Technology Centre (MTC), High Value Manufacturing Catapult. Latest ‘robotic craft’ prototypes designed by Adrian include the Robotic Craft Tile (2017), recently exhibited at ‘Hand Held to Super Scale: Building with Ceramics’ (2020), and research on robotic materialisation of architectural hybridity – the gizmo gumption that fuels processes of amelioration, extending our knowledge of ethical construction methods and practices of repair.

    Founding Director of award winning practice, Friend and Company Architects, Friend was shortlisted for Young Architect of the Year 2008 and practice work was selected by the Architecture Foundation in 2016 for publication in New Architects 3 (2016), a showcase of Britain's best emerging practices. Latest project, New Shop for the Victoria & Albert Museum, sprung from research into the first Museum Shop that Friend found was a testbed for experimental pop-up structures. The final innovative design was Highly Commended in the 2017 Blueprint Awards deploying the world’s first 3d printed ceramic tile, reconnecting with material taxonomies first established by the V&A in 1865. A champion of design research Friend writes for the leading international design and architecture publications including Blueprint, Wallpaper* and Building Design as well as publishes and presents his research through regular exhibitions and conference proceedings.

    As Programme Director, Material & Spatial Practices, Friend is an active research supervisor and co-director of the CCW Design School Research Symposium held during London Craft Week 2020. Titled, ‘Blame the tools: crafty robots, well behaved implements and disobedient devices’, the symposium will showcase developments in digital tools that define Makers and emerging ways to practice as well as social values and ethical construction methods found in repair and alterations.
    • Staff
    • Collaborative Unit Leader
    • Central Saint Martins
    • Collaborative Unit LeaderCentral Saint Martins

    I am an educator, researcher and architectural historian. At UAL I hold two Senior Lecturer posts. The first is History and Theory Coordinator for BA Interior and Spatial Design at Camberwell College of Arts, where my teaching addresses questions of critical theory, architectural history, spatial writing and research methodologies. My second post is Unit Lead for Creative Unions, Central Saint Martins' undergraduate collaborative unit, in which I facilitate cross-disciplinary conversations around environmentally and socially engaged creative practice.

    In 2021 I completed my PhD which examined the architecture of progressive education in twentieth-century England. Its creative research method comprised archival research, site-based investigation, oral history interviews, performance writing, as well as a participatory, live construction and performance project for thirty Year 6 students and their teachers in south London. I was awarded a PhD Scholarship from the Society of Architectural Historians of Great Britain (SAHGB) in 2017 to complete the research.

    I have presented my architectural history research at academic conferences (SAHGB, 2018; The Bartlett School of Architecture, 2020) and it has been published in the edited volume Reconstruction (Bloomsbury, 2023). My educational research on collaborative pedagogy and practice has also been published in an edited volume (Routledge, 2020) and in two journals (JUTLP, 2022; ADCHE, 2023). I am currently working on revising my PhD into an open access digital book, in between enjoying east London's parks and dynamic vinyasa.

    • Staff
    • Senior Lecturer
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Senior LecturerCamberwell, Chelsea and Wimbledon Colleges of Arts
    I am a Senior Lecturer at Camberwell College of Arts, part of the University of the Arts London. I teach on the MA Interior and Spatial Design course. I am also a researcher in digital spatial practices and pedagogies. I am currently preparing a series of Lectures on the theme of 'Worldbuilding' - the invention of consistent imaginary worlds in and through writing, illustration, architecture, film, gaming and mixed reality technologies. It looks at speculative design practices and asks; "What is the world we want to live in?" and "How do we get there from here?"

    I collaborated with designers Collectarium on a project called 'Lockdown Space' - an image archive capturing domestic spatial innovations during the Pandemic. This was presented at the 'Urban Assemblage' conference, University of Hertfordshire in 2021, where I also presented a paper on "Revisiting the Virtual House". The Lockdown Space project has continued and was recently on show at the 'Now Play This' exhibition at Somerset house in London (6-14th April 2024)

    More information about my Teaching, Research and Practice can be found here:
    WEB http://www.petemaloney.net
    IG @maloneypete
    • Staff
    • Senior Lecturer in MA Spatial Design
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Senior Lecturer in MA Spatial DesignCamberwell, Chelsea and Wimbledon Colleges of Arts

    Colin Priest is a Senior Lecturer on MA Interior and Spatial Design (2020-present) and a Senior Fellow of the Higher Education Academy. He teaches across undergraduate and postgraduate Interior and Spatial Design at Camberwell College of Arts and was formerly Course Leader for BA Interior and Spatial Design at Chelsea College of Arts (2012-2020). He is also co-founder of Live Projects Network (2011-present), a Fellow of Royal Society of Arts and recipient of UAL Teaching Awards (2016, 2019, 2025). He has published widely on the subject of collaborative pedagogy and live project teaching in and outside the curriculum. 

    His interdisciplinary place-based research practice incorporates moving-image, installation, writing, archival material and wayfinding. Assembling found and made artefacts, media and narratives, public encounters gently rub fragments of time and space, manifesting as conversation, intervention, publication and gathering. His practice evolves around lively collaborative action and the continual negotiation of the built environment on a site-by-site basis. Location-led research seeks to underscore a sense of place, a shared responsibility toward material, the everyday and architectural heritage. His work has been exhibited in various institutions and public settings, across the UK and further afield. 

    • Staff
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    • Course Leader BA Interior and Spatial Design
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Course Leader BA Interior and Spatial DesignCamberwell, Chelsea and Wimbledon Colleges of Arts

    Shibboleth is an educator, researcher, and activist. 

     

    Shibboleth is Course Leader of BA (Hons) Interior and Spatial Design at the University of the Arts London, a higher education leader with Citizens UK working with communities to win change, and a PhD candidate in Educational Research at Lancaster University investigating students’ thinking through mapping to develop a cartosemiotic pedagogy in and for higher education.

     

    Shibboleth's scholarship takes the form of exhibitions, events, conference presentations and publications on counter-mapping, community organising and climate justice. Shibboleth is a Senior Fellow of the Higher Education Academy and a UAL Senior Teaching Scholar, an award acknowledging her innovative practice and research integrating live project pedagogy into the curriculum. 

    AA Dipl, RIBA I & II, Pgcert Learning and Teaching (dist), MRes Landscape & Urbanism, UAL Senior Teaching Scholar, Senior Fellow Higher Education Academy

    • Staff
    • Senior Lecturer BA Interior and Spatial Design
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Senior Lecturer BA Interior and Spatial DesignCamberwell, Chelsea and Wimbledon Colleges of Arts
    Sophie is an architect and designer, living, practicing, teaching, drawing and exploring in London.

    In her teaching and research, Sophie is curious about the threshold between the interior and the city and the range in scale and atmosphere of ‘internal spaces’, from a domestic setting to public spaces. How can our design proposals reflect the transient urban lifestyle of today and respond to the social and environmental challenges we are facing?

    Sophie’s recent research includes interdisciplinary collaborations, exploring links between urban and interior spaces of memory and literature / poetry.

    As a practicing architect, Sophie has worked at a number of award-winning design practices in the UK, often involving adaptation and reuse of existing buildings. She has experience in a wide range of project types, from retail projects for Selfridges Birmingham to primary school projects, social housing schemes as well as high end residential projects.
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    • History and Theory Senior Lecturer BA Interior Design
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • History and Theory Senior Lecturer BA Interior DesignCamberwell, Chelsea and Wimbledon Colleges of Arts
    Vanessa Vanden Berghe is a senior lecturer in Architectural and Interior Design History and Theory and has taught extensively at a number of universities and colleges in London. She studied History of Art at the University of Ghent, Belgium and received a master’s degree from the University of East London. She finished her PhD research at the Modern Interior Research Centre, Kingston University, London where she undertook a critical analysis of the interiors of the architect Oliver Hill in relation to material and immaterial strategies.
    • Staff
    • Professor of Aesthetics
    • Camberwell, Chelsea and Wimbledon Colleges of Arts
    • Professor of AestheticsCamberwell, Chelsea and Wimbledon Colleges of Arts
    Dr Ken Wilder is an artist and writer. With teaching responsibilities at both Chelsea and Camberwell Colleges of Art, he is the UAL Professor in Reception Aesthetics. Having studied Environmental Design at the Royal College of Art, Wilder previously practiced and taught architecture. Since the late 1990s, his practice has shifted to site-responsive sculptural installations (often including video projection) and architectural interventions. He has exhibited widely in the UK, and has also exhibited in China, Germany, Sweden and the Ukraine (see https://www.kenwilderartist.com/). Along with Co-I Dr Aaron McPeake, he has recently been awarded the inaugural £250,000 AHRC Exhibition Fund, entitled 'Beyond the Visual: Blindness and Expanded Sculpture. This 3 year project culminates in an exhibition at the Henry Moore Institute, which opens in November 2025. The project investigates what blindness brings to contemporary sculpture, celebrating the work of blind and partially blind sculptures. Project partners are HMI and Shape Arts. Previously, he was awarded a £27,000 UK Research and Innovation grant for a project entitled 'Beyond the Visual: Non-sighted Modes of Beholding Art', which commences 15 November 2021. The research network will act as a forum for the discussion of non-sighted modes of beholding art, within the context of situated forms of contemporary art practice. It will question how a shift in the aesthetic engagement afforded by hybrid (intermedia) forms of contemporary art opens up new engagements for the partially sighted and blind community. Sound, smell and touch, for instance, have become an important factor in some installation art, while the discipline of sound art has expanded the spatial reception of the auditory. The network aims to develop a deeper understanding of the spatial and curatorial possibilities of such forms of engagement, and their potential application beyond the world of contemporary art. The project is a partnership with Tate, the Henry Moore Institute, Leeds, Shape Arts, VocalEyes and DisOrdinary Architecture.

    Wilder is author of the monograph Beholding: Situated Art and the Aesthetics of Reception, published by Bloomsbury in May 2020. The book considers the spatially-situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. Each chapter frames a particular work of art from the remit of a contemporary theoretical text. Wilder's discussion engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art (see https://www.bloomsbury.com/uk/beholding-9781350088412/).

    Wilder's wider research also focuses on the phenomenological experience of art, particularly in terms of how artworks structure an often problematic relation with the beholder. His methodological position draws upon reception aesthetics and its relation to analytic philosophy. Wilder has written extensively for a number of academic journals, including the Journal of Aesthetics and Art Criticism, the British Journal of Aesthetics, the Moving Image Review and Art Journal, Estetika: The Central European Journal for Aesthetics, Architecture and Culture, Theatre and Performance Design, and Image [&] Narrative. He has chapters in the following publications: Manifesto Now! (London: Intellect, 2013); Painting: Critical and Primary Sources (London and New York: Bloomsbury, 2015); The Persistence of Taste (Abingdon and New York: Routledge, 2018).

    Wilder completed his PhD, entitled Projective Space: Structuring a Beholder’s Imaginative response, at Chelsea in 2009.
    • Staff